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Footprints Modern Dance Festival

May 18-20, 2017
MS Deane Little Theatre, NYC | Photos
Amanda Selwyn Dance Theatre performed their work-in-progress, Refuge, for the 3rd Annual Footprints Modern Dance Festival at the Marjorie S. Deane Little Theatre.
 
Footprints, Curated by Amanda Selwyn, showcased innovative works of contemporary dance with a strong theatrical aesthetic.
Footprints is a week-long dance festival celebrated the work of emerging and established modern choreographers This years performance features the following companies: .

Grimm | Choreography: Danielle Kipnis, Nazmo Dance Collective
In Transit | Choreography: Ashley McQueen, Smashworks Dance Collective
Looking Glass | Choreography: Caitlin Parish
Refuge | Choreography: Amanda Selwyn, Amanda Selwyn Dance Theatre
The Rise of Otherness | Choreography: Elizabeth Shea, Elizabeth Shea Dance
All Things Being Equal | Choreography: Alana Urda, Amalgamate Dance Company

Footprints Modern Dance Festival

May 18-20, 2017
MS Deane Little Theatre, NYC | Photos
Amanda Selwyn Dance Theatre performed their work-in-progress, Refuge, for the 3rd Annual Footprints Modern Dance Festival at the Marjorie S. Deane Little Theatre.
 
Footprints, Curated by Amanda Selwyn, showcased innovative works of contemporary dance with a strong theatrical aesthetic.Footprints is a week-long dance festival celebrated the work of emerging and established modern choreographers This years performance features the following companies: .

Grimm | Choreography: Danielle Kipnis, Nazmo Dance Collective
In Transit | Choreography: Ashley McQueen, Smashworks Dance Collective
Looking Glass | Choreography: Caitlin Parish
Refuge | Choreography: Amanda Selwyn, Amanda Selwyn Dance Theatre
The Rise of Otherness | Choreography: Elizabeth Shea, Elizabeth Shea Dance
All Things Being Equal | Choreography: Alana Urda, Amalgamate Dance Company 

Footprints Modern Dance Festival

May 18-20, 2017
MS Deane Little Theatre, NYC | Photos
 
Amanda Selwyn Dance Theatre performed their work-in-progress, Refuge, for the 3rd Annual Footprints Modern Dance Festival at the Marjorie S. Deane Little Theatre. Footprints,
 
Curated by Amanda Selwyn, showcased innovative works of contemporary dance with a strong theatrical aesthetic. Footprints is a week-long dance festival celebrated the work of emerging and established modern choreographers This years performance features the following companies: .

Grimm | Choreography: Danielle Kipnis, Nazmo Dance Collective
In Transit | Choreography: Ashley McQueen, Smashworks Dance Collective
Looking Glass | Choreography: Caitlin Parish
Refuge | Choreography: Amanda Selwyn, Amanda Selwyn Dance Theatre
The Rise of Otherness | Choreography: Elizabeth Shea, Elizabeth Shea Dance
All Things Being Equal | Choreography: Alana Urda, Amalgamate Dance Company

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Amanda Selwyn Dance Theatre/Notes in Motion was awarded a grant in the amount of $30,000 from the New York State Council on the Arts (NYSCA) to support the nonprofit arts and culture sector. Through New York State’s continued investment in arts and culture, NYSCA has awarded over $80 million since Spring 2023 to over 1,500 artists and organizations across the state.
Amanda Selwyn Dance Theatre/Notes in Motion is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
412 Broadway, 2nd Floor | New York, NY 10013 | (212) 995-9446
Copyright © 2024. Amanda Selwyn Dance Theatre/Notes in Motion. All rights reserved.

Give to Dance

Follow us on Social

412 Broadway, 2nd Floor
New York, NY 10013
(212) 995-9446

Copyright © 2024. Amanda Selwyn Dance Theatre. All rights reserved. 

Amanda Selwyn Dance Theatre/Notes in Motion was awarded a grant in the amount of $30,000 from the New York State Council on the Arts (NYSCA) to support the nonprofit arts and culture sector. Through New York State’s continued investment in arts and culture, NYSCA has awarded over $80 million since Spring 2023 to over 1,500 artists and organizations across the state.
Amanda Selwyn Dance Theatre/Notes in Motion is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
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